Friday, August 31, 2012

Assignment 1: Isabelle MILLER


Discuss the phenomenon of digital media convergence in relation to one of the following: Advertising & New Media or Music Video Online


The phenomenon of digital media convergence, along with the emergence of new digital media in the twenty-first century has presented a number of challenges for advertising and their ability to engage with mass audiences. The introduction of the internet and its significantly increasing popularity, has posed large consequences for advertisers, as the fragmentation of audiences have occurred across the large range of new media that exists. Mass audiences no longer rely solely on the television, newspapers or on radio broadcasting to access information and entertainment content. Rather, consumers today are able to access this content from multiple technological media nodes, and additionally choose what and where they access media. This along with the introduction of multi-channelled subscription television challenges the traditional media methods, of scheduling what information and entertainment is distributed and when. Consequently, advertisers have had to adopt a number of new marketing methods and techniques to reach these audiences, through developing new creative advertising schemes, brand advertising, advertising through online media and harnessing the popularity of social media networks in hope of creating a ‘viral video’ campaign. This essay will additionally investigate these various new advertising techniques through an exploration into the ‘Nike +’ campaign and their use of new advertising methods.

 

The traditional media model of advertising to mass audiences through scheduled times and specific media have had to transform to respond to the converging nature of media in the twenty-first century. Advertisers must now embrace the ‘convergence culture’ of the contemporary era (Jenkins, 2006) and change marketing strategies to address the interactive nature of new media and target the diversified users of the internet. Jenkins (2006) defines this convergence culture as, “media convergence, participatory culture and collective intelligence”. Effectively, as consumers expand to the use of new media such as the internet and multi-channel subscription (Spurgeon, 2008) advertisers can no longer take advantage of the scheduling and organised content of traditional media. Consumers today are less confined than ever before, and consequently advertisers have had to adapt their techniques to apply to online media. This fragmentation of audiences is one of the most significant challenges advertisers face, and has led to the adoption of range of online marketing methods. Advertisers utilise search engines, such as ‘Google’ and ‘Yahoo!’ to market their product, through attaching advertisements to keyword searches on Google, in hope of reaching mass audiences (Spurgeon, 2008). Additionally, advertisers are able to trace the behaviour of users and identify the websites that do attract mass audiences. Methods such as ‘pay-per click’ (Spurgeon, 2008) have also utilised this marketing information, attaching advertisements to popular websites such as social-media networks. These adaptions in response to new media have been vital to the survival of advertising in the contemporary era, in order for them to continue to reach the number of consumers they desire.

 

Contemporary marketing strategies must now dedicate a significant amount of attention to what consumers respond too, and techniques must be adapted to engage and attract the attention of these mass audiences. An innovative technique that has been adopted is the aim to construct a creative video that will have a viral response amongst social networks, essentially to achieve a ‘viral campaign’. This was developed following the shift of power from industries to the consumer (Spurgeon, 2008) as consumers today play a significant role in defining what campaign will be successful and what will not. Marketing strategies rely on the contemporary nature of the consumer to, as Deuze (2006) refers to “bricolage”. That is, the distribution, “remixing” and recreating of media messages among their own personalised networks. Essentially, through this consumers take on the job of distribution through social Medias such as YouTube, Facebook and Twitter, and are able to reach the large mass audiences that traditional methods of advertising are not able too. This method has proven to be an extremely efficient campaigning strategy, as well as highly cost effective in terms of marketing schemes and in relation to traditional schemes. However, despite the effectiveness of these campaigns, they also present challenges, and the success of a viral video cannot be predetermined. Advertisers must thus, harness the behaviour of consumers and aim to recreate the techniques of advertisements that have previously been successful. Contemporary examples of these techniques include the use of parody, such as the 'Durex Condom Commercial  advertisement from 1997 which gained over a million hits on YouTube, and became an extremely successful campaign. Another technique that has proven successful is the use of modern digital and visual effects used within advertisments such as 'The Evian' commerical, that digitalised dancing babies. Product placement and brand also plays a significant role in advertisement today, as advertisers utilise films, television programs and music videos to indirectly promote their product. This shift of power from industries to consumers has evidently, caused significant developments from traditional forms of advertisement in response to new media.

 

A crucial contemporary advertising example of a campaign that has utilised the various facets of attracting a mass modern audience is encapsulated within the ‘Nike +’ Campaign .This is an example of product branding and entertainment alliance. It is the merging of two extremely popular brands in the marketing of a product. Essentially the combined product is a combination of the Apple IPod Nano and Nike Runners, to combin two individually successful products and create an innovative product that appeals to the new media environment. The product is created to “enhance the running experience”, a wireless device that records “exercise efforts, including running duration, distance and energy consumption” (Spurgeon 2008).  However additionally, a website is created to support the production and essentially to create a social network and community surrounding the new product. This technique significantly encourages, the uses of new media as it incorporates marketing techniques of utilising social media, the power of the consumer creating a network around the product and encourages consumers to purchase other products associated with these two brands. Additionally it includes the incorporation of Google maps, allowing consumers to map their running routes (Spurgeon, 2008). This campaign provides a particularly significant example of how new advertising techniques have adapted in a new environment to continue to reach a mass audience in this contemporary areas


It is thus, highly evident that with the emergence and convergence of media today, marketing and advertisement techniques have had to be highly developed in order to survive. Following the fragmentation of audiences, across multiple nodes of new media, creative techniques of production and distribution had to be incorporated into marketing strategies in order to continue to reach the mass audiences. Additionally with the increasingly reducing constraints on consumers, advertisers had to adapt to marketing through online media in order to remain successful. The Nike and Apple campaign illustrates both the new adaptive techniques as well as the potential success of this technique in reaching a mass audience.


References

Deuze, M. (2006) “Participation, remediation, bricolage: Considering principal components of a digital culture,” Information Society, volume 22, number 2, pp. 63–75.

Jenkins, H. (2006) ‘Convergence Culture: where old and new media collide’, New York, New York University Press, pp. 1-24

Sheehan, K & Morrison, D. (2009) ‘Beyond convergence: Confluence culture and the role of the advertising agency in a changing world’, in First Monday, vol 14 no 3 <http://firstmonday.org/htbin/cgiwrap/bin/ojs/index.php/fm/article/view/2239/2121>

Spurgeon, C. (2008) ‘Advertising and New Media’, Oxon, Routledge, pp. 24-45

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